Peter Blake | 36 Pop Art | Pop Art

Sir Peter Thomas Blake, CBE, RDI, RA (born 25 June 1932) is an English pop artist, best known for co-creating the sleeve design for the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. His other best known works include the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
One of the best known British pop artists, Blake is considered to be a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.
Born in Dartford, 25 June 1932, Kent, he was educated at the Gravesend Technical College school of Art, and the Royal College of Art. Blake lived in Chiswick, London.
During the late 1950s, Blake became one of the best known British pop artists. His paintings from this time included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts and had his first solo exhibition in 1960. In the 'Young Contemporaries' exhibition of 1961 in which he exhibited alongside David Hockney and R.B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963 Blake was represented by Robert Fraser placing him at the centre of swinging London and brought him into contact with leading figures of popular culture. His Captain Webb Matchbox piece is another of his works in the pop art movement.
On the Balcony (1955–57) is a significant early work which remains an iconic piece of British Pop Art, showing Blake's interest in combining images from pop culture with fine art. The work, which appears to be a collage but is wholly painted, shows, among other things, a boy on the left of the composition holding Édouard Manet's The Balcony, badges and magazines. It was inspired by a painting by Honoré Sharrer depicting workers holding famous paintings, Workers and Paintings.
Blake has referred to the work of other artists many times. Another example, The First Real Target (1961) a standard archery target with the title written across the top is a play on paintings of targets by Kenneth Noland and Jasper Johns.
Blake painted several album sleeves. He designed the sleeve for Sgt. Pepper's Lonely Hearts Club Band with his wife Jann Haworth, the American-born artist whom he married in 1963 and divorced in 1979. The Sgt. Pepper's sleeve has become an iconic work of pop art, much imitated and Blake's best-known work. Producing the collage necessitated the construction of a set with cut-out photographs and objects, such as flowers, centred on a drum (sold in auction in 2008) with the title of the album. Blake has subsequently complained about the one-off fee he received for the design (£200 ), with no subsequent royalties. Blake made sleeves for the Band Aid single, "Do They Know It's Christmas?" (1984), Paul Weller's Stanley Road (1995) and the Ian Dury tribute album Brand New Boots and Panties (2001; Blake was Dury's tutor at the Royal College of Art in the mid-60s). He designed the sleeves for Pentangle's Sweet Child and The Who's Face Dances (1981), which features portraits of the band by a number of artists.
In 1969, Blake left London to live near Bath. His work changed direction to feature scenes based on English Folklore and characters from Shakespeare. In the early 1970s, he made a set of watercolour paintings to illustrate Lewis Carroll's Through the Looking-Glass using a young artist, Celia Wanless, as the model for Alice and in 1975 he was a founder of the Brotherhood of Ruralists. Blake moved back to London in 1979 and his work returned to earlier popular culture references.
In 1990 and 1991, Blake painted the artwork to Eric Clapton's 1991 million-selling live album 24 Nights. A scrapbook featuring all of Blake's drawing was later released. In January 1992, Blake appeared on BBC2's acclaimed "Arena" Masters of the Canvas documentary and painted the portrait of the wrestler Kendo Nagasaki.
In June 2006, as The Who returned to play Leeds University 36 years after recording their seminal Live at Leeds album in 1970, Blake unveiled a Live at Leeds 2 artwork to commemorate the event. The artist and The Who's Pete Townshend signed an edition which will join the gallery's collection. More recently, Blake has created artist's editions for the opening of the Pallant House Gallery which houses collections of his most famous paintings. The works are homages to his earlier work on the Stanley Road album cover and Babe Rainbow prints. He designed a series of deck chairs.

More...

BuyPopArt.com

PeterBlake