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Aya Takano is a Japanese Superflat artist, manga artist, and science fiction essayist.
Takano was born in Saitama, Japan. She spent her childhood reading her father's library, which consisted of many books on natural sciences and science fiction. Exotic animals and landforms combined with an urban city are common themes in her artwork, and are intended to show the juxtaposition between future and fantasy. Takano cited in a documentary made by the Galerie Emmanuel Perrotin that she was always fascinated by the unusual forms of nature and animal life, and desires to have such shapes represented in her work.
Osamu Tezuka's science fiction was another early influence in Takano's life, and had a lasting impact on her dreamy perception of the world. She cites in the book Drop Dead Cute by Joan Vartanian that she really believed everything she read was true until she was nineteen. Takano states that sometimes even now she imagines possessing the ability to fly and is uninterested in the constrictions of being grounded.
When it was time for her to start thinking about college, Takano told her parents she wouldn't attend unless she was allowed to enter an art program. In 2000, she received a bachelor's degree from Tama Art University in Tokyo, and, soon after, became an assistant for leading Japanese Contemporary Artist Takashi Murakami, the founder of the Superflat art movement, who became her first mentor and jump-started her career.
Murakami was looking to exhibit the work of young artists and to help create an artistic community for like-minded artists that used the Superflat style. The Superflat movement, popularized by Murakami himself, is about emphasizing the two dimensionality of figures, which is influenced by Japanese manga and anime, while dually exposing the fetishes of Japanese consumerism. Through the basic ideas of this movement, he created the Kaikai Kiki Co., a group where five out of the seven members are women.
In the 1980s, the look of pre-pubescent girls became the target of consumer culture in Japanese society. This infantilization and objectification of the female was seen most heavily in Japan's otaku culture. Japanese female artists like Takano seek to reinvent the otaku culture through a feminine perspective. Takano in particular is interested in depicting how the future will impact the role of the female heroine in society. Her figures, often androgynous, float through her alternate realities partially clothed or fully nude. Takano denies that she is trying to reveal anything specific about sex, but rather, with the slim bodies, bulbous heads, and large eyes, she is trying to emphasize her figures' temporary suspension from adulthood; the redness on the figures' joints, such as the elbows, knees, and shoulders, is supposed to convey that they are still engaged in the growing process, mentally and physically. Takano's playful and ambiguous visions of the future, especially one which revolves around the feminine, serves as a way for her to create her own mythology, free from the chains of reality. She is represented by Galerie Perrotin, Hong Kong & Paris
Aya Takano’s artistry has yet to be fully dissected by the art world at large. She is that rarest of creators who forges their own unique artistic context – one that is far ahead of its time. Her work draws its themes from the schematics of unknown worlds, the frayed edges of society, misshapen animal life forms, and the dogma of human desire.
It took thirty years for society to unlock the labyrinthine content of the novels of Phillip K. Dick and other hard-boiled 1960’s science fiction authors, a fact that is reinforced by the way their material has formed the mainstream of Hollywood literary adaptations since the 1990’s. Likewise, the true value of Takano’s work lies thirty or more years in the future, when audiences will decipher the vast range of uncharted information which lies beneath its surface.
2015 •"The Ocean Inside, The Flowers Inside", Johyun Gallery, Busan, South Korea 2014 •"La Maison d'Aya", BIBO, Hong Kong 2012 •"Heaven Is Inside Of You", Galerie Perrotin, Hong Kong •"To Lose Is To Gain", Galerie Perrotin, Paris, France
2011 • SieboldHuis, Leiden, Netherlands
2010 •"Rooms of the World", Kaikai Kiki Gallery, Taipei, Taiwan •"Aya Takano", Museum Frieder Burda, Baden-Baden, Germany •Hong Kong Art Fair, Booth Galerie Emmanuel Perrotin, Hong Kong
2009 •"Reintegrating Worlds," Skarstedt Gallery, New York City
2008 •"Toward Eternity" Galerie Emmanuel Perrotin, Paris, France
2007 •"Wild dogs, hawks, owls, cats, a landfill the size of 44 and a half Tokyo Domes, the stratosphere", Galerie Emmanuel Perrotin, Miami, USA •"Tradition and modernity", curated by Hélène Kelmachter, Miró Foundation, Barcelona, Spain
2006 •"Aya Takano", Musée d’Art Contemporain, Lyon, France •"City Dog", Parco Gallery, Tokyo, Japan; Parco Gallery, Nagoya, Japan
2005 • Frieze Art Fair, London, United Kingdom •"The Far Reaches of The Universe, My Garden", Blum & Poe Gallery, Santa Monica, United States


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